SCREWDRIVER

A person sitting in an armchair, wearing a dark coat and with arms crossed

This work explores the human construction of sense and meaning. Each piece consists of an image created using generative artificial intelligence, a word randomly selected by an algorithm, and a description of the image produced by a visual recognition system. These elements were not designed to match, nor do they respond to a joint narrative intention.

The work is situated at the intersection of what an image shows, what a machine believes it recognizes, and what an algorithm randomly introduces. This dissociation activates an interpretive impulse in the viewer that tends to establish relationships between elements that share neither origin nor logic. In this process, apophenia emerges as a perceptual mechanism: the need to construct coherence where only coexistence exists.

«Attribution» shifts the concept of chance toward a structural issue, in which contemporary production of meaning is affected by the interaction of heterogeneous systems that generate, describe, and name the world without necessarily understanding it.

• Installation: 12 pieces arranged in groups of three
• Dimensions of each piece: 70 x 100 cm
• Image dimensions: 56 x 56 cm
• Support: Fine Art 310 g/m² matte photographic paper on Dibond aluminum