A person sitting in an armchair, wearing a dark coat and with arms crossed
to associate
Attribution explores how meaning is constructed. The work consists of twelve pieces organized into four triads. Each piece brings together three elements produced by different processes: an image generated by artificial intelligence, a word randomly selected by an algorithm, and a description of the image formulated by a visual recognition system. These elements were not designed to form a coherent whole, but the work brings them together to explore what happens when they appear together.
Facing each piece, the viewer tends to establish relationships: the word seems like a title, the description an explanation, and the image a confirmation or contradiction of both. However, this apparent coherence is not pre-established; it arises during observation. In this process, apophenia intervenes: the tendency to perceive connections between elements that are not related to each other or whose correspondence is not unequivocal.
In a context saturated with generated images, automated labels, and classification systems, the work questions where meaning is actually produced: in the image, in the accompanying word, in the system that describes it, or in the observer.
